Since 2018, Emma has been developing dance, singing and self-hypnosis practices to ubiquitously reactivate her classical musical heritage. In the desire to trace a feminist archaeology of the spectacular, she is interested in opera, mediumship and domestic work, among others. Emma dances and organizes dances.
After training in music at the Bologna Conservatory, she completed her studies at La Manufacture (Lausanne) in 2021, before becoming associate artist at L’Abri - Geneva. She collaborates with Collettivo Cinetico, Clara Delorme, Cosima Grand, Marlène Charpentié, Catol Teixeira and Marie Jeger, among others. In 2022, her solo la fine di tutte le cose / l’inizio di tutte le altre premiered at the Pavillon ADC in Geneva. She is a member of the foulles collective, with whom she created the pieces Medieval crack and Le cerveau mou de l’existence, as well as several site-specific performances and installations.
In 2024-2025, she is artist-in-residence at the Cité internationale des arts in Paris, supported by the European Grand-Luxe network, which has led her to share her residency work at venues such as Onassis Stegi in Athens, Festival Dias de Dança in Porto and Theater Freiburg. Her next piece will be presented in March 2026 at the Pavillon ADC in Geneva. Emma is part of the Pavillon ADC’s (ac)compagnon research program and is a PREMIO 2025 finalist.
